Oil on canvas. 20”x 16”x 3/4”. Contact me for pricing.
Posted by Intagrate Lite
Charcoal pencil and Conte crayon drawing
Charcoal pencil and Conte crayon drawing of a 1917 painting Lady in White (no.1) by Thomas Wilmer Dewing
Posted by Intagrate Lite
Charcoal figure sketch
Posted by Intagrate Lite
The Hanging Gardens of Hammersmith, No.1 , 1944-7 by Victor Pasmore
One of my favorite paintings at the Tate Britain,
Posted by Intagrate Lite
Blue beads, Paris 1910 by JD Fergusson
Scottish colourist JD Fergusson was inspired by the French fauves. This painting hangs in the Tate Britain
Posted by Intagrate Lite
The Geographer, #Vermeer, 1669, Oil on canvas.
Posted by Intagrate Lite
Three Color Acrylic Figure Study
What started as an underpainting in acrylics for an oil painting turned into an acrylic painting. Three colors were used: buff Titanium, raw umber and a crimson which had cad red overtones
Posted by Intagrate Lite
Seated Wadjet, Egypt Late Period,664-332 BCEConte pencil
Posted by Intagrate Lite
Playing with a Vermeer inspired palette
The colors for the Vermeer palette are an approximation: white, yellow ochre, cad red light, viridian green, raw umber, ivory black, buff titanium.
Posted by Intagrate Lite
Vermeer and the Dutch Masters
A new exhibit recently opened at the National Gallery of Art in Washington DC with 10 paintings by Vermeer and many others by his contemporaries. While the exhibit seeks to shed light on the Dutch contribution to genre painting, a paradigm shift, if you will, to capturing the ordinary moments of …